The Reno, a name that probably doesn’t come to mind for most when talking about iconic Manchester nightclubs of yesteryear, but at its height in the mid 1970’s, it was arguably the UK’s most prominent Soul venue, and undoubtedly forms an important part of the City’s musical legacy.
For those growing up in Jamestown, Accra’s oldest and most densely populated neighbourhood, boxing is a way of life. A succession of world champions, including the legendary Azumah Nelson, considered by many to be the greatest African boxer of all time, and current IBF lightweight champion Richard Commey, grew up and learned their trade here, and for many young locals the dream is to follow in their footsteps. French social documentary and portrait photographer Antoine Jonquiere was visiting the area last year, when he stumbled across one of its many boxing gyms. “I remember hearing the sounds of the boxers training, the vibrations on the floor were very strong so I entered and I saw the boys of all ages…” he says. Instantly captivated by the scene in front of him, his interest deepened after speaking to the boys coach, who told him of the areas unique boxing heritage. He would go on to visit numerous gyms in Jamestown and nearby Usshertown over a two month period, photographing young fighters as they trained in the …
Vladimir Antaki is a Paris based photographer known for capturing striking images of everyday scenes and people.
For his acclaimed Guardians series he travelled to Europe, the Middle East and North America, visiting small specialist stores and photographing their patrons, or as he describes them ‘Guardians of urban temples’.
The series has been exhibited in over a hundred cities worldwide, and a book comprising a selection of the images is available now.
Featuring the work of a number of award-winning photographers alongside some talented newcomers, Invisible Britain tells the stories of those living in the UK’s most marginalised communities, those often ignored or, at times, denigrated and scapegoated by politicians and the media.
Velho Chico, the name affectionately given by the locals to the giant Sao Francisco river in the Sertao area of Northeastern Brazil, the backdrop for the solo project by Brazilian born Wieden + Kennedy Creative director, Mico Toledo. Known largely for its barren land and widespread poverty, but perhaps lesser known is the area’s unique diversity of people, cultures, and religions, the consequence of hundreds of years of immigration and erratic colonialism, and a place Mico describes as: “where folklore and reality seamlessly blend, becoming impossible to distinguish from one another.” Initially inspired by novelists, Jorge Amado, Euclides da Cunhaand and Rachel de Queiroz, who used the area as a setting for their stories. Mico visited the region several times between 2016 and 2018, meeting and photographing the local people; exploring their rich diversity and connection with the esoteric. The series includes a zine, inspired by the Cordel literature collections of folklore, poems and songs, usually accompanied by woodcut illustrations and sold locally by street vendors and at markets within the region. Designed by Adam Hunter; Mico …
Featured image, Porto 2013. Alive St. is an ongoing photo series by Warsaw based photographer Anna Kaniasty. Taken over several years, the images uniquely capture fleeting moments of everyday life in various cities across the globe. See a selection of the images below. For more information, and to see more of her work, visit her website.
Featured image – Omar Victor Diop, Thiaroye 1944. From Liberty (2016). Courtesy © Omar Victor Diop / MAGNIN-A, Paris London Gallery Autograph, presents a two part exhibition by Senegalese artist Omar Victor Diop, his first solo exhibition in the UK . Liberty, a Universal Chronology of Black Protest, reinterprets key revolutionary moments in Africa and across the diaspora. It spans four decades and features historic events such as the 1965 Alabama marches on Washington, and the 2012 murder of Trayvon Martin, which triggered the Million Hoodie March in New York and later inspired the Black Lives Matter movement. Strikingly detailed and potent in symbolism, the images primarily feature Diop as the protagonist portraying a range of figures, separated sometimes by time and often by geography, but unified by their defining struggle for human-rights. For Diop, these images redefine black history, and consequently the history of humanity, as well as the concept of freedom. Project Diaspora, the second part of the exhibition, celebrates four centuries of notable Africans in Europe, drawing parallels between their experiences and those of …
